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* Freedom Sounds: Civil Rights Call out to Jazz and Africa ↠ PDF Read by * Ingrid Monson eBook or Kindle ePUB Online free. Freedom Sounds: Civil Rights Call out to Jazz and Africa Great book!!! This is an amazing book!There's much precious informations about Jazz and the Civil Rights Movement period.Sincerely!Great book.. Civil Rights Books Very satisfied. Arrived on time and in great condition. Enjoyed reading this book. Will order other books as necessary or as class suggests.]
| Title | : | Freedom Sounds: Civil Rights Call out to Jazz and Africa |
| Author | : | |
| Rating | : | 4.89 (862 Votes) |
| Asin | : | 0195128257 |
| Format Type | : | paperback |
| Number of Pages | : | 416 Pages |
| Publish Date | : | 2017-07-25 |
| Language | : | English |
Her research interests include jazz, African American music, and the music of Mali.. Ingrid Monson is the Quincy Jones Professor of African American Music, Supported by the Time Warner Endowment at Harvard University where she holds a joint appointment in the departments of Music and African and African American Studies
Great book!!! This is an amazing book!There's much precious informations about Jazz and the Civil Rights Movement period.Sincerely!Great book.. Civil Rights Books Very satisfied. Arrived on time and in great condition. Enjoyed reading this book. Will order other books as necessary or as class suggests.
By considering the differences between aesthetic and socio-economic mobility, she presents a fresh interpretation of debates over cultural ownership, racism, reverse racism, and authenticity.Freedom Sounds will be avidly read by students and academics in musicology, ethnomusicology, anthropology, popular music, African American Studies, and African diasporic studies, as well as fans of jazz, hip hop, and African American music.. Ingrid Monson illustrates how the contentious and soul-searching debates in the Civil Rights, African Independence, and Black Power movements shaped aesthetic debates and exerted a moral pressure on musicians to take action. In domestic politics, Monson explores the desegregation of the American Federation of Musicians, the politics of playing to segregated performance venues in the 1950s, the participation of jazz musicians in benefit concerts, and strategies of economic empowerment. An insightful examination of the impact of the Civil Rights Movement and African Independence on jazz in the 1950s and 60s, Freedom Sounds traces the complex relationships among music, politics, aesthetics, and activism through the lens of the hot button racial and economic issues of the time. Issues of transatlantic importance such as the effects of anti-colonialism and African nationalism on the politics and aesthetics of the music are also examined, from Paul Ro
"The broad scope and painstaking research of Freedon Sounds will encourage its use by students, scholars, and fans in multiple fields and with varying backgrounds."--Ethnomusicology"Future scholars will no doubt be deeply grateful to Freedom Sounds, which turns a cool eye on the heated debates of jazz in the 1950s and 1960s, clarifying their fault lines while refusing to simplify the tremendous complexities of that era in jazz history."-Scott Saul, American Music"This is a long overdue overview of the complex and often contentious subject of jazz and race in America--a landmark academic work that peeks into the Pandora's box that has sat conspicuously unopened in jazz history classrooms for too many years. This book is cultural criticism at its best!"--Cornel West, University Professor, Princeton University"In this brilliant, polyphon
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